Working Script
“The Informant”
Shot one:
Ext-Non-diegetic soundtrack used from the film Saw. This is a mid shot of woman holding hands of two little children. Opening shot shows a tracking shot of the three characters walking through a park. The woman is wearing simple clothes (jeans and a jacket); the two little girls are wearing their school uniform. The outfits are mainly of a dull colour to give dreary feel to the opening. Also the dull colours brings out the bring redness of one of the little girl’s ribbons in her hair which are important in the opening sequences of the film.
-Shot shot reverse-
Shot two:
Ext-Shot-shot reverse, camera films the three walking into the playground. These shots show one use of camera editing which I learnt in my preliminary task of shot-shot reverse which is a fluent cut from one side of a setting to another e.g. Someone walking towards a door and opening it then cuts to the person walking into the room and closing the door behind them.
-Cut to-
Shot three:
Ext-Hand held Point of View shot of someone behind a bush looking onto the two girls on the swing. No identity is shown in this shot as the character’s identity is hidden throughout most of the film. I chose the use of hand held to produce the effect that the audience feels like they are the ones behind the bushes.
-Cut to-
Shot four:
Ext-This is a long shot of woman pushing the two girls on the swing. The camera is filming from the side so it includes part of the bushes which makes the audience aware that someone is behind those bushes.
-Tracking-
Shot five and six:
Ext-One of the little girls jumps off the swing and the woman follows leaving the other little child on her own on the swing. The camera tracks them as they go to play on the climbing frame at another part of the playground.
-Cuts to-
Shot seven:
Ext-Hand held POV shot behind the bushes again as the person continues to watch the other girl who is left alone on the swing. The soundtrack at this point has more of a beat to it to symbolise a heartbeat to produce fear in the audience.
-Cuts to-
Shot eight:
Ext-Long shot of woman playing with the little girl on the climbing frame. The use of a long shot gives depth to the picture and makes the audience feel really far away as though the little girl on the swing is far away from safety. This produces tension towards the viewer.
-Cuts to-
Shot nine: Ext-Again the hand-held POV shot. This time the unknown character closes in on the girl on the swing. The soundtrack gets louder at this point and suspension and fear is enticed on the audience who realise this person is going to do something to this little girl.
-Cuts to-
Shot ten:
Ext-The music quietens down a bit as the next shot reveals a red ribbon hanging off the swing and shows the little girl missing.
-Cuts to-
Shot eleven:
Ext-The shot cuts to the woman who looks around and calls out for the little girl. This is the only diegetic sound you hear of the woman calling the girl as the music quietens down. After she has called her name the soundtrack continues to play.
-Tracking-
Shot twelve:
Ext-The camera tracks the woman as she walks towards the swing and notices the red ribbon. As she picks it up with the realisation the little girl is missing the camera zooms in to the woman’s hands and she slides the ribbon through her fingers.
-Cuts to-
Shot thirteen:
Int-This is a mid shot of someone sitting at a computer typing on the keyboard. The soundtrack continues to play. In this shot you can only see the person’s hands and the keyboard and things of no importance on the desk.
-Zoom-
Shot fourteen:
Int-The camera then zooms into the persons hand as they reach for a red ribbon on the desk and scrunch it in their hand. This gives the audience a sudden realisation that this mysterious person has the little girl. The film is called “The Informant” as the plot is the unknown person is keeping the little girl as blackmail towards the woman who had information he needs that the little girls owner has.
“The Informant”
Shot one:
Ext-Non-diegetic soundtrack used from the film Saw. This is a mid shot of woman holding hands of two little children. Opening shot shows a tracking shot of the three characters walking through a park. The woman is wearing simple clothes (jeans and a jacket); the two little girls are wearing their school uniform. The outfits are mainly of a dull colour to give dreary feel to the opening. Also the dull colours brings out the bring redness of one of the little girl’s ribbons in her hair which are important in the opening sequences of the film.
-Shot shot reverse-
Shot two:
Ext-Shot-shot reverse, camera films the three walking into the playground. These shots show one use of camera editing which I learnt in my preliminary task of shot-shot reverse which is a fluent cut from one side of a setting to another e.g. Someone walking towards a door and opening it then cuts to the person walking into the room and closing the door behind them.
-Cut to-
Shot three:
Ext-Hand held Point of View shot of someone behind a bush looking onto the two girls on the swing. No identity is shown in this shot as the character’s identity is hidden throughout most of the film. I chose the use of hand held to produce the effect that the audience feels like they are the ones behind the bushes.
-Cut to-
Shot four:
Ext-This is a long shot of woman pushing the two girls on the swing. The camera is filming from the side so it includes part of the bushes which makes the audience aware that someone is behind those bushes.
-Tracking-
Shot five and six:
Ext-One of the little girls jumps off the swing and the woman follows leaving the other little child on her own on the swing. The camera tracks them as they go to play on the climbing frame at another part of the playground.
-Cuts to-
Shot seven:
Ext-Hand held POV shot behind the bushes again as the person continues to watch the other girl who is left alone on the swing. The soundtrack at this point has more of a beat to it to symbolise a heartbeat to produce fear in the audience.
-Cuts to-
Shot eight:
Ext-Long shot of woman playing with the little girl on the climbing frame. The use of a long shot gives depth to the picture and makes the audience feel really far away as though the little girl on the swing is far away from safety. This produces tension towards the viewer.
-Cuts to-
Shot nine: Ext-Again the hand-held POV shot. This time the unknown character closes in on the girl on the swing. The soundtrack gets louder at this point and suspension and fear is enticed on the audience who realise this person is going to do something to this little girl.
-Cuts to-
Shot ten:
Ext-The music quietens down a bit as the next shot reveals a red ribbon hanging off the swing and shows the little girl missing.
-Cuts to-
Shot eleven:
Ext-The shot cuts to the woman who looks around and calls out for the little girl. This is the only diegetic sound you hear of the woman calling the girl as the music quietens down. After she has called her name the soundtrack continues to play.
-Tracking-
Shot twelve:
Ext-The camera tracks the woman as she walks towards the swing and notices the red ribbon. As she picks it up with the realisation the little girl is missing the camera zooms in to the woman’s hands and she slides the ribbon through her fingers.
-Cuts to-
Shot thirteen:
Int-This is a mid shot of someone sitting at a computer typing on the keyboard. The soundtrack continues to play. In this shot you can only see the person’s hands and the keyboard and things of no importance on the desk.
-Zoom-
Shot fourteen:
Int-The camera then zooms into the persons hand as they reach for a red ribbon on the desk and scrunch it in their hand. This gives the audience a sudden realisation that this mysterious person has the little girl. The film is called “The Informant” as the plot is the unknown person is keeping the little girl as blackmail towards the woman who had information he needs that the little girls owner has.